Showing posts with label Rheanna Downey. Show all posts
Showing posts with label Rheanna Downey. Show all posts

Friday, March 11, 2011

Weekend Picks - 03/11/11

live at Silverlake Lounge
Tuesday is usually the day that new music is released...and it just might blow your mind if you could see just how many albums are released weekly. Loads of nonsense shipped to fill up shelves in record stores...some of it new...some of it old (with great new artwork!). Wasn't it Morrissey who said "reissue, repackage, repackage..."? Despite a truck-load of bad records released this week, there happened to be 2 excellent albums quietly put out...and people in "the know" (like myself) quickly scooped them up (Rival Schools, and Rheanna Downey). Now if you missed out on purchasing these records, you can still change course...you can still salvage your weekend so it's not a total loss! Here are my weekend picks...2 brand new records, 1 record that is yet to be released (but can be listened to here), and 3 albums you should have purchased a long time ago. Enjoy...

Weekend Picks - 03/11/11

-The Violet Burning: "The Story Of Our Lives" (still unreleased)
-Rival Schools: "Pedals"
-Rheanna Downey: "Pull The Moon"
-The Tallest Man On Earth: "The Wild Hunt"
-Gliss: "Devotion Implosion"
-Ryan Adams: "Love Is Hell"

Buy these records...thank me later.

Note: The picture above is Gliss...rocking the stage at the Silverlake lounge. A huge thank-you to Stephanie for suggesting them. They remind me of The Jesus And Mary Chain, minus the Reid brothers fighting in between songs. They are incredible!

Tuesday, March 8, 2011

Rheanna Downey - "Pull The Moon"

There are very few artists that reside in the "singer/songwriter" genre that I get excited about. Much of it reminds me of junior high poetry, set to a soundtrack that brings me to that sad place where severe boredom sets in. It's almost mind-numbing...hearing some sad sap gently strumming on an acoustic guitar, trying their best to imitate James Taylor, or Joan Baez...both of which are well past whatever "prime" they happened to have back in 1974. I realize that most people aren't setting out to "reinvent the wheel" per se, but come on...why must so much music in a genre be soo horribly boring?! Well perk up because there is a fresh sounding voice from San Diego that will not only blow your mind musically, but thankfully erase the musical horror your folky ears have been subjected to over the years. Rheanna Downey, San Diego's own songwriting genius, has finally released her much anticipated full length record...and all I can say is that it's amazing.

Sitting comfortably in the musical arena of Patty Griffin, EmmyLou Harris, and Shawn Colvin (which is some pretty awesome company, musically speaking), Rheanna brings us 13 well-crafted songs, that have both lyrical depth and intricate orchestration. The record starts off with "Raise My Hands", a mid-tempo song that showcases Downey's knack for placing instruments, and vocals, in all the right places. The electric guitar weaves through the vocal melodies, with the piano and drums lending themselves more to atmosphere than to conquering the mix. The vocals are "up front", but they totally lack the usual thin "folk" singing that plagues most records in this genre. This is why I think this record is so special...the music sounds vibrant (and current), without being derivative. The record meanders through different styles seamlessly, melding jazz phrasing/chords ("Walls Of Snow") , with bluegrass ("It Will Find You"...for the record, the banjo hasn't sounded this good in decades), and spacey-sounding folk ("All I Want"...easily the best song on the record). Lyrically, the record deals with ideas of Faith, God, and one's "past" in a way that is neither preachy, or shallow. I think that tackling issues of faith can be the downfall of many artists, where their zeal (which isn't a bad thing) ends up trumping honesty and/or accessability. The listener is the "outsider"...and is left with a sort of "sermon" on what they're not doing "right." In the case of this record, Downey is able to balance the feelings of yearning, questioning, and worship in a way that draws the listener in, makes them feel comfortable, and never reaches a point where the listener can't relate. It's like sitting on the porch with someone and having a conversation...it's comfortable, and it's pretty far removed from having some sweaty guy in a cheap suit throwing 'hellfire" at your face. This quality, coupled with the music, makes "Pull The Moon" a great portrait of how good the singer/songwriter genre can be. Easily one of the best records of the year...it's a perfect mix of great vocals, beautifully crafted songs, and lyrics that display true honesty and emotion.

Buy this record...thank me later.

Friday, February 11, 2011

Weekend Picks - 02/11/11

I seem to go through phases when I'm listening to music. One day I'll be listening to Brit-pop from the 90's, and the next day I'll be blaring European metal bands. I like the variety...I like revisiting records I haven't heard in a while, only to be quickly reminded as to why I enjoyed them so much in the first place. This week included a lot of that "revisiting"...and my music week was an International cocktail of OC Punk, British Space, Americana, and Icelandic "out-of-this-world-ness". Enjoy...

Weekend Picks - 02/11/11

-Jonsi: "Go"
-Social Distortion: "Somewhere Between Heaven And Hell"
-The Verve: "A Storm In Heaven"
-The 77's: "Sticks And Stones"
-Rheanna Downey: "Tour De Felicite EP"
-Kathleen Edwards: "Back To Me"

Buy these records...thank me later.

Note: If you don't know who the picture above features...you're beyond saving. Mike Ness (Social Distortion) and The Boss (The Boss)...two rock "peas in a pod"...live at the Stone Pony in Asbury Park, NJ. They did a great rendition of "Bad Luck" with the E Street Band a few years ago. Ness came out to sing it with Springsteen at his L.A. date...and the crowd went nuts.